Review Index


British-made silliness with a somewhat novel twist on the Yuletide slasher formula: this time around itís not a mad Santa Claus on a killing spree but guys dressed as Santa who bear the brunt of the abuse.  That doesnít make it any good, though!

The Package
     DONíT OPEN TILL CHRISTMAS (1984) was the only directorial effort of the prolific English born, Rome based actor Edmund Purdom, who appeared in anti-classics like PIECES, NIGHTMARE CITY and AFTER THE FALL OF NEW YORK, and played the lead role in the present film. 
     It was co-produced by the veteran exploiter Dick Randall, whose other credits include MONDO INFERNO, THE WILD, WILD WORLD OF JAYNE MANSFIELD, DR. FRANKENSTEINíS CASTLE OF FREAKS and SLAUGHTER HIGH.  DONíT OPEN TILL CHRISTMAS was very much in keeping with Randalís other films--in other words, it sucks plain and simple.

The Story
     At Christmastime in London, a drunk dressed like Santa Claus is canoodling with a whore in a car--both are brutally killed by a man in clear featureless mask.  Several more guys outfitted as Santa Claus are dispatched in various brutal ways by the masked killer, leading Scotland Yard investigators to conclude that a Santa-hating serial killer is on the loose!
     One Santa stumbles into the killerís gaudy underground layer and is gored for his troubles.  Another Santa is offed onstage at a concert, under the clueless eyes of a popular singer.  Still another Santa has his dick severed as he takes a piss!
     Finally the killer, an ugly-looking man, is unmasked when he kidnaps a young woman on Christmas Eve.  He explains to her why he is how he is: as a child he walked in on his mom banging a dude dressed like Santa Claus, and so grew up hating Santa and everything he stood for. 

The Direction 
     As a mystery this film is leaden and uninvolving.  As a slasher movie it works only because it has a much-higher-than-average body count (with a killing every 5 or so minutes), and then only barely.
     But the whole thing has a cheap, slapdash air.  Itís evident from the start that director Edmund Purdom wasnít too into his job (unsurprisingly, this was the only film he ever directed).  He canít ever seem to work up much energy or enthusiasm in the proceedings, and the actors perform accordingly.
     One thing I will say for this film: itís far less misogynistic than most eighties slashers, with the brunt of the abuse born by men.  Of course Purdom is still careful to include much gratuitous T&A, proving that in exploitation cinema feminism only goes so far. 

Vital Statistics 

Spectacular (Yeah, right!) International Films 

Director: Edmund Purdom
Producers: Dick Randall, Steve Minasian
Screenplay: Derek Ford
Cinematography: Alan Pudney
Editing: Ray Selfe
Cast: Edmund Purdom, Caroline Munro, Belinda Mayne, Gerry Sundquist, Mark Jones, Kevin Lloyd, Robin Parkinson, Alan Lake, Kelly Baker, Wendy Danvers, Pat Astley, Laurence Harrington