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DEATH LAID AN EGG
Here’s one for fans of late sixties cinematic self-indulgence, of which this film stands as a particularly outrageous example: a whacked out time capsule that amply demonstrates just how unbelievably nutty some movies were back then. It also features quite an attractive cast.
The Package
DEATH LAID AN EGG (LA MORTE HS FATTO L’UOVO) was a “dream project” for
Italian director/madman Giulio Questi, made in the wake of his bizarre Spaghetti
Western pastiche DJANGO KILL...IF YOU LIVE SHOOT! For this subsequent film he
managed to attract established stars like France’s Jean-Louis Trintignant (THE
CONFORMIST, TRANS-EUROPE EXRESS), Ewa Aulin (who played the title role in CANDY
a year later) and the veteran Italian sexpot Gina Lollobrigida (who here looks
as alluring as ever).
In the years since its 1967 release it seems to have
disappeared into the “Eurotrash” ghetto, thus placing it out of reach of most
high profile critics; if the Village Voice/Film Comment crowd only knew
about DEATH LAID AN EGG, I’m certain it would merit the same attention granted
highly respected late sixties/early seventies Euro classics like WEEKEND,
PETULIA or WALKABOUT. Questi’s film is silly and outrageously self-indulgent,
certainly, but so are those other, supposedly “better”, movies. At least it has
the distinction of inspiring Craig Ledbetter, editor of the late lamented
European Trash Cinema, who devoted an entire issue to this film.
The Story
Marco is the owner of a successful poultry farm and husband to the gorgeous
Anna. He has some strange habits, however, which include murdering prostitutes
at a posh hotel. When the pretty young Gabrielle moves in with them in the wake
of her parents’ untimely deaths, Marco forsakes his wife in favor of Gabrielle’s
“charms”. These two plot to kill off Anna and take over the poultry farm, but
quite a few unexpected complications intervene.
It seems there are suspicious genetic experiments afoot in the poultry
farm, which results in a strain of mutant chickens with no wings…or heads!
Freaked out, Marco promptly kills the creatures, which gets him in trouble with
his superiors, who were hoping to use the mutations to maximize their profit
margin. Meanwhile, Anna has found out about her husband’s philandering ways and
decides to dress herself up as a prostitute and catch him in the act. It all
comes to a head when Marco totes his latest victim home to be ground up in the
chicken feed processor. The police have caught onto his activities and are in
hot pursuit. But there’s at least one surprise in store for everybody…
The Direction
Where to start? Giulio Questi had already amply demonstrated his affinity
for the bizarre and grotesque in DJANGO KILL (and would go on to do so in 1972’s
ARCANA), and it’s safe to say that he goes mad here with his fluid camerawork,
non-linear editing, obscure symbolism and outrageous plot twists. There are
exhilarating sequences herein, most notably a flashback montage intercut with
the marks on the freeway seen from a speeding car’s POV. But then, there are
also plain ridiculous bits like a lengthy conversation in which with every shot
is focused entirely on the backs of the participants’ heads. And dig that party
scene, in which the guests remove all the furniture from a room in order to
“liberate ourselves from the tyranny of objects.”
Much of it, believe it or not, is authentically
disturbing, with some fairly potent gore--most notably in a climactic murder
scene replayed several times in quick succession--and a jangling, discordant
music score guaranteed to drive sensitive viewers up the nearest wall. Clearly,
this film was very much a product of its time. At its best DEATH LAID AN EGG
ranks with the finest work of the late Donald Cammell (director of boldly
experimental psycho thrillers like PERFORMANCE and WHITE OF THE EYE); at its
worst it typifies all that was most obnoxious about late sixties filmmaking.
Vital Statistics
DEATH LAID AN EGG (PLUCKED; LE MORTE HA FATTO
L’UOVO)
Cine Azimut
Director: Giulio Questi
Screenplay: Franco Arcalli, Giulio Questi
Cinematography: Dario Di Palma
Editor: Franco Arcalli
Cast: Jean-Louis Trintignant, Gina Lollobrigida, Ewa Aulin, Jean Sobieski,
Renato Romano, Giulio Donnini, Cleofe Del Cile, Vittorio Andre, Biagio Pelligra,
Monica Millesi, Ugo Adinolfi, Conrad Andersen, Aldo Bonamano, Rina De Filippo,
Livio Ferraro