imagemap for this page. go to bottom of review for links to other pages. disturbing image from Castle Freak
The hype machine has worked overtime. From Charles Band's Full Moon Entertainment comes Castle Freak, possibly the most anticipated horror movie since Clive Barker's Lord of Illusions. Does it deliver? In a word, no. While director Stuart Gordon, of Re-Animator fame, has crafted a solid, well-made piece, it's still light years away from the standards set by his earlier efforts. CF is too subdued and too conventional to break the new ground promised by the hype.
* See Roger Corman's 1961 The Wasp Woman. The poster pictured a giant, surrealistic wasp creature. The film reduced this monstrosity to a woman wearing a mask and mittens.
* Gordon's Re-Animator has always been known for its extreme gore.
The Package
Castle Freak, like many low budget horror films over the years, appears to have started life as a poster.* Here, a pair of ripped-open manacles dangle at the end of a rusty chain. Under the picture is the irresistible slogan, "Hideous. Hungry. And Loose..." Note the credit, "Based On An Original Idea By Charles Band." Band is the head of Full Moon Entertainment, the distributors of CF. (It was Band's former company, Empire Pictures, who distributed Re-Animator back in 1985 which went on to become one of the key horror films of the past decade.)
With CF, the creative team behind Re-Animator as well as the less successful From Beyond (1986) was reinstated: director Stuart Gordon, screenwriter Dennis Paoli, and stars Jeffrey Combs and Barbara Crampton. Even better, Gordon would be allowed to make the film unrated with all the gore he wanted.*
It's here that the hype machine set in. While the money spent by Full Moon on CF's promotion would hardly equal that of, say, Jurassic Park, it nevertheless appears to have been substantial. Gordon made appearances at Fangoria conventions, asking horror fans, "when was the last time a movie really scared you?" CF, he claimed, would do just that and then some. Noisy layouts were planted in such genre-minded publications as The Phantom of The Movies' Videoscope. This flick, it seemed, would dwarf every other genre release out there. Does it? Let's
The Story
A young American couple (Combs and Crampton) visit a castle in Rome, their young daughter (Jessica Dollarhide) in tow. Years earlier, Combs' character killed his young son and blinded his daughter in a drunk driving accident, a crime neither he nor wife Crampton have been able to forgive.
A series of creaks, crashes, and far-off panting noises alert the family that they are not alone. The title character, Comb's own cousin (Jonathan Fuller, under full body make-up), is alive, chained inside a room somewhere in the castlebut not for long! (The room is located, naturally, at the end of a series of dark, twisting tunnels, the better for characters to stupidly wander into...) Cue the inevitable women in jeopardy scenes, ending with Combs finally getting his comeuppance.
While there are some surprises, the whole thing is routine and borrows a few too many elements from other films, most notably The

* Re-Animator and From Beyond were based on stories by H.P. Lovecraft, creating something of a Lovecraft mini-boom.
* CF most resembles Dolls, Gordon's 1987 Empire production, a reasonably well made, though unexceptional horror flick. CF is better, though it too is unexceptional.
The Direction
Stuart Gordon, much like his contemporary Wes Craven, has a decidedly uneven career. Re-Animator* was his first film and it remains a classic. He followed it with From Beyond not a classic but a conditional success in its own right.
Gordon then directed a succession of unsatisfactory productions, bouncing back with The Pit and The Pendulum (1991) and Fortress (1993), both stylish, offbeat efforts. With CF*, Gordon is clearly aiming for a more restrained, classical style than evidenced in Re-Animator and From Beyond, a fact accentuated by the lack of gore on display, even in the unrated edition.
Not nearly as stylish as The Pit and The Pendulum and Fortress, nor as over-the-top as Re-Animator and From Beyond, CF inhabits a subdued middle ground. It commits a sin seen in few of Gordon's other films: it's occasionally quite dull. But CF's biggest crime is that, contrary to Gordon's early promises, it's just not very
Vital Statistics
Castle Freak
Full Moon Entertainment, 95 minutes
Director: Stuart Gordon
Producer: Maurizio Maggi
Executive Producer: Charles Band
Screenplay: Dennis Paoli
(Based on an original idea by Charles Band)
Cinematographer: Mario Vulpiani
Editor: Bert Glatstein
Cast: Jeffrey Combs, Barbara Crampton, Jonathan Fuller, Jessica Dollarhidetop

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