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DEATH AND DESIRE IN THE AGE OF WOMEN
In this, his second publication of 2011 (following the novella
BLEED FOR YOU),
Michael Louis Calvillo has created a bold and idiosyncratic fictional
riff on the concept of female empowerment. DEATH AND DESIRE IN THE AGE
OF WOMEN isn’t quite as accomplished as Calvillo’s previous novels
I WILL RISE
and AS FATE WOULD
HAVE IT, which were complex and multi-faceted in a way this
highly literal-minded effort isn’t; on the other hand, it must be said
that DEATH AND DESIRE very nearly equals its forerunners, and just about
any other recent novel, in provocation and manic invention. This novel will be--and has been--compared
with Jack Ketchum’s LADIES’ NIGHT. For those unfamiliar with that 1997
publication, it concerns a chemical released into the air that turns
women into psychotic killers. Calvillo’s novel is similarly themed, but
unlike the highly problematic LADIES’ NIGHT, DEATH AND DESIRE provides a
compellingly bizarre rationale for its mayhem in the form of a
telepathic worm that appears to women in a dream one night, followed by
mass menstruation the following morning--which comes to be known as
Bloody Tuesday. Calvillo’s novel also boasts an exceedingly
well-imagined female-dominated world that arises after the women of the
world, under the worm’s telepathic influence, rise up against the males.
The focus is on Victor and Claudia, a
happily married couple who like everybody else on Earth are irrevocably
impacted by the worm. Claudia brutally kills her young son(!) during the
worm-instigated uprising while Victor manages to elude the homicidal
females around him--initially at least. He’s eventually caught and
incarcerated together with several other male survivors, while Claudia
is put to work in the new worm-dominated world, run by different
stratifications of brainwashed women (meaning some gals are more
affected by the worm than others). But Claudia longs to see her husband again
and for things to go back to the way they were before Bloody Tuesday.
She arranges a clandestine meeting with Victor, who will have to be
broken out of prison; that’s a good thing, as Victor isn’t doing too
well behind bars, having incited the wrath of a highly influential
psychopath who calls himself The Baron (after the floating villain of
DUNE). Things unfortunately don’t work out as you
might hope for Victor and Claudia. To his credit, Calvillo provides
little in the way of reassurance: in this novel love does not conquer
all and the ending is far from happy. Calvillo sustains the nastiness of
the early scenes throughout, never selling out his concept and leaving
things on a decidedly tangled and unresolved note. The issues explored
in DEATH AND DESIRE IN THE AGE OF WOMEN are thorny ones that have vexed
mankind for centuries, and are here given a fictional treatment that
feels entirely appropriate. |
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