As wonderfully eccentric a take on
zombie cinema as anyone could hope for,
a Brazilian made film thatís creepy, perplexing, energetic, gruesome and
BEYOND THE GRAVE (PORTO DOS MORTOS), completed in 2011,
was a six-year labor of love by writer-producer-director Davi de Olivera
Pinheiro, a prolific producer and director of documentaries and short
films making his feature debut. Three years and countless festival
screenings later, the film has finally begun to make an impact.
In ďAnother Time, Another PlaceĒ a black suit wearing,
pistol-packing man enters a desolate bar and shoots two men inside.
Another of the barís patrons, a samurai sword wielding Asian, takes on
and easily beats the shooter in a hand-to-hand fight; the man gets the
upper hand, however, when the sword gets stuck, and kills his opponent.
The black suited guy, it turns out, is a renegade
police officer in a post-apocalyptic hellscape littered with zombies.
The officer is looking to track down and kill a demonic killer known as
the Dark Rider, and picks up a teen couple in search of the same killer.
The three meet up with a seemingly comely trio of non-zombified humans
in a pleasant, and temporary, respite inside a deserted school. Their
next stop proves far less pleasant: an insane asylum that happens to be
the lair of the Dark Rider and his two equally depraved human sidekicks,
who kill the officerís companions.
The officer is found alive by the previous band of
survivors, who take him back to their school home. But not all is well
in this apparent haven: several unruly zombies are kept confined for the
edification of their captors, at least one of whom is attacked and
bitten by a deader.
Following this is a second confrontation with the Dark
Rider, which doesnít go much better than the first. The officer is once
again the sole survivor, and, following an episode of psychic
body-switching, finally gets his longed-for chance to go mano-a-mano
against the Dark Rider.
The zombie apocalypse trope isnít exactly new, but this
film contains a wealth of quirky and bizarre elements that place it in
the company of Brazilian new wave filmmakers like Glauber Rocha and Ruy Guerra (for the more cine-literate among you, think of it as ZOMBIELAND
meets ANTONIO DAS MORTES). It also owes something to Stephen Kingís DARK
TOWER books, from which this film borrows its overall concept and a key
line of dialogue (ďThere are other worlds than theseĒ).
Writer-director Davi de Olivera Pinheiro favors an
avant-garde editing style that eschews traditional horror movie rhythms,
along with potent snatches of Jodorowskian surrealism. Standout examples
of the latter include a two-way conversation in which both voices are
provided by a single person, and a standoff between a man with a gun and
another with an umbrella.
The whole thing is put together with enormous energy
and filmmaking savvy, which helps carry us through the portions of the
narrative that donít quite hold up. Then again, narrative coherency
isnít something one can reasonably expect from a film like BEYOND THE
GRAVE, whose power derives from its wildness and unpredictability.
BEYOND THE GRAVE (PORTOS DOS MORTOS)
Lockheart Filmes Ltda.
Director: Davi de Olivera Pinheiro
Producer: Isidoro B. Guggiana, Davi de Olivera Pinheiro
Screenplay: Davi de Olivera Pinheiro
Cinematography: Melissandro Bittencourt
Editing: Marcelo Allgayer
Cast: Rafael Tombini, Alvaro Rosacosta, Ricardo Seffner, Amanda Grimaldi,
Leandro Lefa, Luciana Verch, Tatiana Paganella, Adriano Basegio, Marcos
Guarani, Felipe Longhi, Isidoro B. Guggiana